But the annoying truth is that the Birds of Prey weigh down Birds of Prey. Give the film major points for being far more diverse and female-centric than most comic-book flicks.
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Unfortunately, it’s not called Birds of Prey for nothing: Director Cathy Yan’s superhero movie also means to introduce that team of renegade, all-female superheroes. When Robbie’s onscreen, her character taking such delight in all the mayhem she causes, the film is a gas. Margot Robbie has given better, more nuanced performances, but she seems to absolutely love playing this twisted sociopath, who this time teams up with a local street tough (Ella Jay Basco’s Cassandra Cain) to protect a rare diamond from a ruthless mobster (Ewan McGregor). That Harley Quinn’s spinoff is far superior to Suicide Squad is unsurprising: After all, it’s more about her and a whole hell of a lot less about everything else that was terrible about that 2016 film. Part of what makes this film so captivating is knowing that it’s a skillfully executed fool’s errand - a vision of a DC universe that no one else could possibly (or perhaps sensibly) dare to live up to. doesn’t allow Snyder to make sequels to it. (At any length, the story is silly, and our heroes aren’t as engaging as they are in their standalone films.) This imperfect, ambitious miss is undeniably fascinating, but all told, we’re hoping that Warner Bros. Beyond offering more pumped-up action, this version does actually make Cyborg an interesting character and, truly, there’s never been another comic-book movie quite this epic, although its inherent limitations also suggest why that’s not necessarily a good thing. If you find such a self-serious approach laughable, well, tough: Snyder is unabashed in making us kneel in awe as Batman & Co. No studio interference, no Joss Whedon adding his own sensibility: This 242-minute totem is the purest expression of the maximalist filmmaker’s mythic take on the gods who roam the land, utilizing their incredible powers to protect us puny humans. How much should vision count when evaluating a superhero movie? If nothing else, Zack Snyder’s restored, expanded, exhausting Justice League leaves no doubt that it’s the movie he wanted to make. By comparison, Sad Affleck was just a dude encased in a metal suit. His Dark Knight was a powerfully conflicted, reluctant hero. The culture has already properly roasted Dawn of Justice’s stupid Martha business, but we’ve yet to fully absorb how much this film tarnished the legacy of Christopher Nolan’s Batman. And like Bay, that doesn’t mean they’re any good. Like his spiritual forefather Michael Bay, Snyder is a visionary action filmmaker who conceives blockbusters with an utterly original aesthetic and sensibility. Goyer was right then, and he’s right now. Goyer himself told the Los Angeles Times back in 2005 about Warner Bros.’s previous aborted attempt to make this project happen.
It’s somewhat of an admission that this franchise is on its last gasp.” A spot-on review of Zack Snyder’s abysmal 2016 team-up between the two iconic superheroes? Nope, that was what the screenwriter David S. It’s like Frankenstein Meets Wolfman or Freddy vs. Superman is where you go when you admit to yourself that you’ve exhausted all possibilities. Batman v Superman: Dawn of Justice (2016) So, sorry, Hellboy, Road to Perdition and A History of Violence: You’re excluded here.)ģ6. (By the way, we intentionally left off films made from imprints later purchased by DC Comics. So, today, we rank the 38 DC Comics movies, including this week’s League of Super-Pets.
This makes them vary dramatically in quality, but it also eliminates any sameness: The bad movies are truly bad, but the ceiling is raised as high as a Christopher Nolan, Richard Donner or Patty Jenkins can take it. Also: Ryan Reynolds has some thoughts about his role in all of this.įor a long time, the DC Comics movies had no unifying thread, no Kevin Feige overseeing everything. Alan Moore had his own wing, and of course don’t forget about the animated films, Keanu Reeves, Jonah Hex and Shaq. We had multiple sets of Batman films, a Superman arc that, because of corporate maneuverings, totally fell apart at the end, and two Swamp Thing movies. The DC Extended Universe, if that’s what we’ve all decided to call it, officially kicked off with 2013’s Man of Steel, but limiting the films made from DC Comics just to those (mostly uneven) films is to miss decades of history … decades with their own drama.
Photo: Emily Denniston/Vulture and photos courtesy of the studios
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